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Epic poetry, Sumerian --- Poésie épique sumérienne --- Translations into English --- Traductions anglaises --- 922.2 --- geschiedenis --- Mesopotamië --- Sumerië --- Assyrië --- Babylonië --- Hittieten --- Tweestromenland --- geschiedenis - Sumerië, Babylonië, Assyrië --- Epic poetry, Sumerian. --- Poésie épique sumérienne --- Sumerian epic poetry --- Sumerian poetry
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This collection of seventeen essays by James R. Hightower and Florence Chia-ying Yeh contains three chapters on shih poetry, ten chapters on Sung tz'u, and four chapters on the works of Wang Kuo-wei. It includes ten previously unpublished works, including Hightower's now classic work on T'ao Ch'ien and Yeh's studies of Subg tz'u, as well as seven important additions to the literature on Chinese poetry. The essays treat individual poets, particular poetic techniques (for example, allusion), and general issues of period style and poetry criticism. The previoulsy published items have been updated to include the Chinese texts of all poems presented in translation. Although authored separately by Professors Hightower and Yeh, the essays presented here are the result of theor thirty years of collaboration in working on Chinese poetry. Through close readings of individual texts, the two authors explicate the stylistic and psychological components of the work of the poets they study and present compelling interpretations of their poems.
Chinese poetry --- Ci (Chinese poetry) --- Poetics. --- History and criticism. --- Poetics --- S16/0200 --- Poetry --- Chinese literature --- History and criticism --- China: Literature and theatrical art--Traditional poetry and poets: studies --- Technique --- Wang, Guowei, --- Wang, Kuo-wei, --- Ō, Koku-i, --- Van, Go-vei, --- 王國維, --- 王国维, --- Wang, Jing'an, --- Wang, Ching-an, --- Ō, Sei-an, --- 王靜安, --- Wang, Boyu, --- Wang, Po-yü, --- 王伯隅, --- Wang, Guantang, --- Wang, Kuan-tʻang, --- 王观堂, --- 王觀堂, --- Wang, Yongguan, --- Wang, Yung-kuan, --- 王永观, --- 王永觀, --- Criticism and interpretation.
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The Akkadian Gilgamesh Epic, perhaps the most famous of Mesopotamian literature, has been considered the artistry of one author inspired by Sumerian tales. Specialists have assumed that all the earliest evidence (ca. 1800-1700 BCE) reflects this creative unity. Deep contrasts in characterization and narrative logic, however, distinguish the central adventure to defeat the monster Huwawa from what precedes and follows it. The Huwawa narrative stands on its own, so that the epic must have been composed from this prior Akkadian composition. Recognition of the tale embedded in the epic allows each block of material to be understood on its own terms. Such literary-historical investigation from contemporary texts is new to Assyriology and may produce important results when applied to other Mesopotamian writing. 'The book is well written and tightly argued...This makes it a first point of reference for anyone interested in the OB evidence for the Gilgamesh Epic.' Scott C. Jones, Covenant College
Assyriology --- Epic poetry, Assyro-Babylonian --- History. --- History and criticism. --- Gilgamesh. --- History and criticism --- History --- Gilgamesh --- Assyro-Babylonian epic poetry --- Assyro-Babylonian poetry --- Assyro-Babylonian studies --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura
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When, in the third century B.C.E., the Ptolemies became rulers in Egypt, they found themselves not only kings of a Greek population but also pharaohs for the Egyptian people. Offering a new and expanded understanding of Alexandrian poetry, Susan Stephens argues that poets such as Callimachus, Theocritus, and Apollonius proved instrumental in bridging the distance between the two distinct and at times diametrically opposed cultures under Ptolemaic rule. Her work successfully positions Alexandrian poetry as part of the dynamic in which Greek and Egyptian worlds were bound to interact socially, politically, and imaginatively.The Alexandrian poets were image-makers for the Ptolemaic court, Seeing Double suggests; their poems were political in the broadest sense, serving neither to support nor to subvert the status quo, but to open up a space in which social and political values could be imaginatively re-created, examined, and critiqued. Seeing Double depicts Alexandrian poetry in its proper context-within the writing of foundation stories and within the imaginative redefinition of Egypt as "Two Lands"-no longer the lands of Upper and Lower Egypt, but of a shared Greek and Egyptian culture.
Comparative literature --- Egyptian poetry --- Greek poetry, Hellenistic --- Language and culture --- Poetics --- Egyptian and Greek. --- Greek and Egyptian. --- History and criticism. --- History --- -Greek poetry, Hellenistic --- -Language and culture --- -Literature, Comparative --- -Poetics --- -Poetry --- Literature, Comparative --- Philology --- Culture and language --- Culture --- Hellenistic Greek poetry --- Greek literature, Hellenistic --- Egyptian literature --- History and criticism --- Egyptian and Greek --- Greek and Egyptian --- -Technique --- Ptolemaic dynasty --- Alexandria (Egypt) --- -Intellectual life --- Poésie grecque hellénistique --- -Poésie égyptienne --- Littérature comparée --- Langage et culture --- Histoire et critique --- Grecque et égyptienne --- Egyptienne et grecque --- Ptolemaic dynasty, --- Alexandrie (Egypte) --- Intellectual life. --- Vie intellectuelle --- Iskandarīyah (Egypt) --- Alexandrie (Egypt) --- Aleksandriyah (Egypt) --- Alessandria (Egypt) --- Alexandreia (Egypt) --- Aleksandria (Egypt) --- Alexantreia (Egypt) --- Alesandriʼa (Egypt) --- الإسكندرية (Egypt) --- الإسكندرية (مصر) --- اسكندرية (Egypt) --- Poetry --- Technique --- Ptolemies, --- alexandrian court. --- alexandrian poetry. --- alexandrian poets. --- ancient egypt. --- ancient greece. --- apollonius. --- argonautica. --- callimachus. --- egypt. --- egyptian culture. --- egyptian history. --- egyptian people. --- egyptian poetry. --- greek poetry. --- helen. --- hellenism. --- heracles. --- hiero of syracuse. --- hymns. --- literary criticism. --- literary theory. --- mythology. --- nonfiction. --- pharoah. --- poetics. --- poetry. --- political values. --- ptolemaic court. --- ptolemies. --- ptolemy philadelphus. --- regencies. --- royalty. --- rulers. --- theocritus. --- theogonies.
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Homer the Preclassic considers the development of the Homeric poems-in particular the Iliad and Odyssey-during the time when they were still part of the oral tradition. Gregory Nagy traces the evolution of rival "Homers" and the different versions of Homeric poetry in this pretextual period, reconstructed over a time frame extending back from the sixth century BCE to the Bronze Age. Accurate in their linguistic detail and surprising in their implications, Nagy's insights conjure the Greeks' nostalgia for the imagined "epic space" of Troy and for the resonances and distortions this mythic past provided to the various Greek constituencies for whom the Homeric poems were so central and definitive.
Epic poetry, Greek --- Oral tradition --- History and criticism --- History --- Homer --- Criticism and interpretation --- Tradition, Oral --- Oral communication --- Folklore --- Oral history --- Homeros --- Homère --- Criticism and interpretation. --- Homerus --- History and criticism. --- Poetry --- History of Greece --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Epic poetry, Greek - History and criticism --- Oral tradition - Greece - History - To 1500 --- Homer - Criticism and interpretation --- ancient athens. --- ancient greece. --- ancient greek literature. --- ancient literature. --- ancient rome. --- ancient writers. --- classical literature. --- discussion books. --- epic poems. --- epic. --- epics and sagas. --- greek epics. --- greek orators. --- greek roman thought. --- greek writers. --- high school english class. --- history of greece. --- history of poetry. --- homeric poems. --- homeric poetry. --- homeric studies. --- illiad. --- literary classics. --- literary criticism. --- literature professors. --- odyssey. --- oral tradition. --- poetry. --- sixth century. --- studying literature. --- writers.
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In a highly accessible style, The Roman Mistress makes an important and original contribution simultaneously to feminist scholarship on antiquity, the classical tradition and cultural studies.
Feminism and literature --- Feminism and motion pictures. --- Love poetry, Latin --- Man-woman relationships in literature. --- Man-woman relationships in motion pictures. --- Mistresses --- Sex role in literature. --- Women and literature --- Women in motion pictures. --- History and criticism. --- Feminism and motion pictures --- Man-woman relationships in literature --- Man-woman relationships in motion pictures --- Sex role in literature --- Women in motion pictures --- Motion pictures --- Lovers (Mistresses) --- Concubinage --- Paramours --- Motion pictures and feminism --- Literature --- History and criticism --- Women authors --- Cleopatra, --- Messalina, Valeria, --- Messallina, Valeria --- Messallina, Valeria, --- Kleopatra, --- Kliyūbātrā, --- Kilyūbātrā, --- Cléopatre, --- Kiḷiyōpātrā, --- Cleopatra --- In literature. --- In motion pictures. --- Women in literature. --- Sex role in motion pictures. --- Latin love poetry --- Latin poetry --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Literature and feminism
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When the Nobel Peace Prize was awarded on December 10, 2010, its recipient, Liu Xiaobo, was in Jinzhou Prison, serving an eleven-year sentence for what Beijing called "incitement to subvert state power." In Oslo, actress Liv Ullmann read a long statement the activist had prepared for his 2009 trial. It read in part: "I stand by the convictions I expressed in my 'June Second Hunger Strike Declaration' twenty years ago-I have no enemies and no hatred. None of the police who monitored, arrested, and interrogated me, none of the prosecutors who indicted me, and none of the judges who judged me are my enemies."That statement is one of the pieces in this book, which includes writings spanning two decades, providing insight into all aspects of Chinese life. These works not only chronicle a leading dissident's struggle against tyranny but enrich the record of universal longing for freedom and dignity. Liu speaks pragmatically, yet with deep-seated passion, about peasant land disputes, the Han Chinese in Tibet, child slavery, the CCP's Olympic strategy, the Internet in China, the contemporary craze for Confucius, and the Tiananmen massacre. Also presented are poems written for his wife, Liu Xia, public documents, and a foreword by Václav Havel.This collection is an aid to reflection for Western readers who might take for granted the values Liu has dedicated his life to achieving for his homeland.
Chinese essays --- Essays --- Chinese poetry --- Chinese literature --- Collected papers (Anthologies) --- Papers, Collected (Anthologies) --- Prose literature --- Festschriften --- S02/0220 --- S16/0470 --- China: General works--Intellectuals: after 1949 --- China: Literature and theatrical art--Modern tales, short stories, prose: texts and translations
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78.36 --- Corridos --- Folk songs, Spanish --- Women in literature --- Spanish ballads and songs --- Spanish folk songs --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism
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Musical identity raises complex, multifarious, and fascinating questions. Discussions in this new study consider how individuals construct their musical identities in relation to their experiences of formal and informal music teaching and learning. Each chapter features a different case study situated in a specific national or local socio-musical context, spanning 20 regions across the world. Subjects range from Ghanaian or Balinese villagers, festival-goers in Lapland, and children in a South African
JUVENILE FICTION --- Nursery Rhymes --- Children's poetry, American --- English --- Languages & Literatures --- American Literature --- American children's poetry --- Children's poetry, American. --- Indiana --- Juvenile poetry. --- American poetry --- State of Indiana --- Hoosier State --- Indiǣna --- إنديانا --- Indīyāna --- Indiana suyu --- Штат Індыяна --- Shtat Indyi︠a︡na --- Індыяна --- Indyi︠a︡na --- Индиана --- Índíʼyéenah Hahoodzo --- Ιντιάνα --- Intiana --- Πολιτεία της Ιντιάνα --- Politeia tēs Intiana --- Estado de Indiana --- Indianio --- Stato de Indianio --- Indăn --- ʻInikiana --- Индианæ --- Indianæ --- אינדיאנה --- Indiʼanah --- Indiana Territory --- Folk music --- Group identity --- Identity (Psychology) --- Music --- Education, Musical --- Music education --- Musical education --- Musical instruction --- Personal identity --- Personality --- Self --- Ego (Psychology) --- Individuality --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Social psychology --- Collective memory --- Instruction and study --- Study and teaching --- 78.70 --- 78.31 --- Group identity. --- Instruction and study. --- Nursery rhymes, American. --- Ahmadābād (India) --- Ahmedabad --- Ahmedabad (India) --- Ahmedabad-City (India) --- Amadāvāda (India) --- Ahmedabad Municipal Corporation (India) --- Ahmadāvād Municipal Corporation (India) --- Amadavad (India) --- Politics and government --- Economic conditions --- History
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The genres of sung tales that are the subject of this volume are one of the most striking aspects of the cultural scene in the Papua New Guinea Highlands. Composed and performed by specialist bards, they are a highly valued art form. From a comparative viewpoint they are remarkable both for their scale and complexity, and for the range of variation that is found among regional genres and individual styles. Though their existence has previously been noted by researchers working in the Highlands, and some recordings made of them, most of these genres have not been studied in detail until quite recently, mainly because of the challenging range of disciplinary expertise that is required" in anthropology, linguistics, and ethnomusicology. This volume presents a set of interrelated studies by researchers in all of those fields, and by a Papua New Guinea Highlander who has assisted with the research based on his lifelong familiarity with one of the regional genres. The studies presented here (all of them previously unpublished and written especially for this volume) are of groundbreaking significance not only for specialists in Melanesia or the Pacific, but also for readers with a more general interest in comparative poetics, mythology, musicology, or verbal art.
Folk songs, Papuan --- Folk music --- Duna (Papua New Guinean people) --- Chansons folkloriques papoues --- Musique folklorique --- Duna (Peuple de Papouasie-Nouvelle-Guinée) --- History and criticism --- History and criticism. --- Music --- Histoire et critique --- Musique --- Music History & Criticism, National - Folk, Patriotic, Political --- Epic poetry. --- Heroic poetry --- Ethnic music --- Traditional music --- Comparative musicology --- Papuʼah Giniyah ha-Ḥadashah --- Giniyah ha-Ḥadashah --- Papua Niugini --- Papua-Neuguinea --- PNG --- Territory of Papua and New Guinea --- Papua Nugini --- Independent State of Papua New Guinea --- Papua Nuova Guinea --- Papua Nova Gvineja --- Papua Niu Gini --- Independen Stet bilong Papua Niugini --- Ethnomusicology --- Papua New Guinea --- Papouasie-Nouvelle-Guinée --- PNG (Papua New Guinea) --- Papua-Uusi-Guinea --- Papua Nya Guinea --- パプアニューギニア --- Papua Nyū Ginia --- Poetry --- Folklore --- Ethnology --- Musicology --- New Guinea (Territory) --- Papua --- 78.37
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